The historic Gettys Building faces a uncertain future as Rock Hill puts it up for sale, raising conc...
The Tom S. Gettys Building in Rock Hill, South Carolina, a historic structure from the 1930s, is facing an uncertain future as the city has decided to sell it for $2.2 million. The building, which serves as a hub for local artists and includes several studios, has raised concerns among the community about losing a vital creative space. City officials cite high maintenance costs and low rental income as reasons for the sale. Local artists express disappointment in the lack of communication from the city and worry about the impact on the downtown arts scene. The building’s fate remains in limbo as discussions continue.
In the heart of Rock Hill, South Carolina, the Tom S. Gettys Building stands as a notable piece of history. This four-story stone structure, built in the 1930s, had an extensive role in the community as a courthouse and post office. Now, it serves as a creative haven for artists, hosting several art studios. However, the city’s decision to put this iconic building up for sale at a price of $2.2 million has left many artists and community members concerned about the future.
After its transformation in the 1980s, the Gettys Building began housing various artistic endeavors through an agreement with the York County Arts Council. Presently, the space includes studios for local artists and pottery centers where creativity flourishes. However, the increasing cost of maintaining an aging building has led city officials to reconsider its ownership. The city currently spends around $60,000 annually just on utilities while bringing in only $1,200 in rent from the arts council.
Given the building’s deteriorating condition, city leaders announced their plan to sell the property, which was first revealed to the arts council over a year ago. The information made its way to the public when the building appeared on real estate listings, leading to widespread concern among local artists.
Local artists are increasingly worried about the possibility of losing not only their working spaces but also the vibrant arts community that thrives within the Gettys Building. Artist and photographer Dylan Bannister, who co-owns the Gentle Reminders Studio in the building, expressed disappointment about how the city handled the situation. Many believe the city should have engaged the artistic community in dialogue before making such a significant decision.
With the potential sale of the building, there is no guarantee that space for the arts council will remain. Several artists have raised the alarm that if they are forced to relocate, options for affordable studio spaces in downtown Rock Hill are slim. Losing this central hub for the arts could discourage visitors from coming downtown.
According to Jonathan Williams, owner of the Rock Hill Pottery Center within the Gettys Building, the presence of artists is crucial for keeping downtown lively. Williams highlighted that his studio attracts tourists, including students from nearby Charlotte, who come looking for a dynamic arts scene. He remains hopeful that the building’s sale will not mean the end for Rock Hill’s creative community.
Recently, a public comments session was held at City Hall, where over 100 residents showed up to voice their thoughts on the proposed sale. Despite the large turnout, the issue was not up for discussion on the agenda that evening, which left many feeling unheard.
The Gettys Building is listed on the National Register of Historic Places, which adds an extra layer of complexity to any potential renovations or changes. The city’s restraints on what can be done inside and outside of the structure have led some residents to be surprised at the thriving artistic community that exists within its walls. For many artists, the building is not just a workplace; it is a cherished space full of memories and friendships.
Artist Alexis Howard reflected on what the building means to her and the entire community. She emphasized that the loss of this space would be felt deeply not only by them but by Rock Hill as a whole.
The fate of the Tom S. Gettys Building remains uncertain as city council discussions loom ahead. There is a common hope among the artists and community members that whoever purchases the property will recognize its artistic value and continue to foster the creative spirit that flows through Rock Hill. As the story unfolds, residents and artists alike will be watching closely to see what the future holds for their beloved arts community.
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